100 Day Project: Last Two Days

100 Day Project, Projects

Day 99: April 29

Pacing myself. I thought when I started this I wouldn’t care how many pieces I made, then I figured fifty would be a fine number. As it became clear that I was averaging one a day, even if that’s not exactly when I finished them, I decided to shoot for 100 pieces.

Day 100: April 30

I thought I’d bring this project to a close the same way I opened it: with a self portrait. 100 pieces. 100 Days. A road trip across the country home. A pandemic. Strange times. Bittersweet.

100/100 Days

100 Day Project: Week 1

100 Day Project, Projects

January 20, 2020

I have considered the 100 day project a little more.

  • Use the blog to reflect on the work daily, posting content weekly.
  • Work at a 5 x 7 size on paper
  • Multi-media works
  • Use inspiration from travels, literature, and anywhere else I can. I am an omnivore and a scavenger.
  • Explore elements I work with already. See where it goes. Reflect on what those elements mean.

Day 1: January 22

Where to start? With procrastinating of course! So I opened my new book titled: A big important Art Book; Now With Women, and the first thing it did was prompt an exercise doing self portraits. So why not start there? But first I have to lay the ground work.

  • Made a template instead of measuring each piece of paper.
  • Playing with texture by laying the paint down differently on each paper.
  • I didn’t paint each paper yet, just enough to get started. Don’t want to lock myself in.
  • I started working this way on the sketchbook project. (I am in the digital sketchbook library). I really enjoyed the results of those mixed-media pieces. I have four sketchbooks in the Brooklyn Art Library, three mixed media. I enjoyed doing them and knowing they are there in Brooklyn, New York being seen. I get emails notifying me.

Day 2: January 23

I picked up again last night, excited by the self portrait. I’ve been doing polaroid emulsion lifts to document my travels and new film was delivered last night. I printed from my polaroid lab and chose one of the papers layered with acrylic. (was wondering about that texture and the Polaroid Transfer for some time).

At first I tried to pencil in words around the image.

Scrapped that idea real fast.

I decided to combine the polaroid portrait with an original love: ink doodling. The gatekeeper that launched my head and heart back into art making. I am pleased with the balance.

  • Strathmore 400 mixed-media paper 186 lb
  • Titanium white acrylic paint
  • Self Portrait taken with iPhone
  • Printed with Polaroid lab on I-type 600 film
  • emulsion lift process
  • Faber-Castell ink pen

I tend to hate images of myself, I was drawn to one that was just a partial of my face. I edited it to black and white to see how the color of the film would interpret it in print. This time it came out nearly sepia. In the drawing portion I added spiral symbols. Something I’m drawn to subconsciously and consciously.

Lifting image in water onto paper.
Image after drying and working on it.

Day 3: January 24

All the ideas I had swirling around my head fell out somewhere. I turned to doodling on the paper I prepared. Four ink doodles. Two with a white acrylic ground, two without. They’ll be the start for something, I just don’t know what yet. Doing ink line work is meditative and intuitive. I can disappear into the flow until my brain is inspired. Nothing this early morning. It’ll come.

Day 4: January 25

96 bottles of beer on the wall, 96 bottles of beer… I’ve never once gotten past about 90 in that song. I am too distractible.

I’m still feeling stuck. I painted thalo blue grounds, experimenting with the acrylic application. I have been impatient to try oil pastels over acrylic. It is not my favorite piece. Doesn’t feel like me. Maybe I’ll feel better about it in the future.

  • Strathmore 400 mixed-media paper 186 lb
  • Thalo Blue acrylic on paper
  • White posca pen
  • Oil pastel
Trying to capture the essence of the saguaro at night.

I think my second experiment of the day was more successful at combining old and new ideas with different media.

  • Strathmore 400 mixed-media paper 186 lb
  • Thalo blue acrylic ground
  • Faber-Castell black ink pen
  • White Posca pen
  • Oil pastel
The thought in my head while doodling: connect my old style of working with a new way.

Day 5: January 26

Today I am keeping the theme of connections going. All day I kept it in my head to get back to the camper and pick up one of the pieces I ink doodled on dry paper (I ran a small test to see if it would stand up to submerging in water). I wanted to use one of the photographs I took of the spiral petroglyphs and combine it with the spiral doodle. Letting it dry overnight now.

Today I also picked up an art print by Raina Gentry that I admired both for its differences from my work and its similarities. I am reminded that I need to give myself permission to make the art that I want to make and to quit second guessing myself.

Day 6: January 27

I bounced last nights experiment off of my husband. He did not like it, so I decided this morning to push it further and then asked him again. “I don’t get it.” I don’t know if that means it’s genius or crap, but I find the results interesting enough to keep. Maybe even continue to push further.

  • Strathmore 400 mixed-media paper 186 lb
  • Faber-Castell black ink pen
  • Black and white polaroid
  • Nikon D7200 image using iPhone to Polaroid Lab print
January 26-27 experiment with lines and polaroid emulsion lift. Idea: connection.

Day 7: January 28

One week feels like an accomplishment. Ninety-three days to go. I did a little more with line work on one of the thalo blue painted papers with a white Posca pen. I believe I intuitively did this in response to doing so much line work in black ink. Then I spread out my weeks work for a look. (After spraying the pieces using oil pastel with a fixative).

First Week. Top row: probably finished pieces, middle row: mid-thought, last row: potential.